Yesterday as we rambled and scrambled up the dramatic and somewhat vertiginous gorge of the río Esva, I promised myself that I would not obsess about the wild flowers and trees and I would definitely not feel the urge to write a blog post about them. Um, right. As you can see, my resolve didn’t last more than a few moments. Honestly, it’s like dangling an exquisite yarn in front of me: in the presence of so much colour and texture and downright gorgeousness, my willpower fades away like morning mist.
So, as in the very best fairy tales and oration good things always come in threes, here is the final part of my ‘wild flowers and walking’ trilogy set in yet another contrasting landscape. This is a world of river and rockface, of high and dry light-flooded spaces and deep, damp, mossy places. Here the woodland scrambles to dizzy heights, clinging to the ragged rock strata in an astonishing festival of verdant celebration. Here the river, wide and clear, tumbles and rumbles over boulders, gouging its sinuous path out of the jagged landscape. Here sleek otters play, bibbed dippers bob, carefree sand martins wheel and spin in an exhibition of masterful aerobatics. Here, once again, nature has demonstrated its artistic prowess in sweeps of breath-taking floral artistry.
I had no intention of making a series of wildflowers-and-walking posts but honestly, how could I not share another treasure chest of floral riches? In complete contrast to our coastal walk, this time we headed to the high mountains and ancient deciduous woodlands of southern Asturias: in short, serious bear country. Here lives the largest concentration of the rare Cantabrian brown bear (oso pardo) in Asturias and who could blame them?
Roger and I last walked here in the autumn when the trees were all blazing in their flaming autumnal flamboyance; it was fascinating to return in such a different season, especially as the effect of altitude spun us backwards in time to enjoy an earlier taste of spring once again. The overwhelming star of the landscape for me, though, was the Spanish heath, swathes and swathes of gorgeous magenta draping the mountains like an opulent cloak above the greenery. Breathtaking.
If only I could have captured the tumultuous sound of countless bees going about their business in those purple bells. No wonder there were so many hives there, not scattered across the mountainsides higgeldy-piggeldy but organised behind electric fences or the protection of traditional stone walls circles. Bears and honey are a classic combination, after all!
The extent of the forests is awe-inspiring, so stunning clothed in the bright greens of springtime. The oaks, however, were a little tardy with just the first hint of leaves unfurling; hung with filigree silver lichens, they made an ethereal contrast to the burgeoning glossy greens around them.
There were flowers here, too; so many gentle splashes of colour and perfume to delight the senses. A softer palette to the coastal flowers, a pretty parade of graceful woodland beauties; once again, I was in awe of nature’s exquisite gardening prowess.
Walking between Puerto de Vega and Playa de Frejulfe, we were treated to a breathtakingly sumptuous array of wild flowers.
Blankets of pastel pink thrift and snowy sea campion drifted across the clifftops and stitched between them were skeins and spots of so many other plants, creating a rich embroidery where even the mundane shone to full effect. What a wonderful floral fabric of colour and scent, texture and form and all set against that stunning blue-drenched backdrop of sky and sea.
This is coastal Asturias it its best; we might not have the scope for a sweeping flower garden at home but who needs one when we have such natural beauty on our doorstep? 🙂
Once again, the month of May has brought me a time of solitude. Just a few days this time rather than the three weeks of last year but the principle is the same. I’ve never minded being alone – in fact, I think times of gentle solitude are a beneficial thing for everyone now and then – but I do find the days very long, so the key is to keep busy. No problem there, I am never short of things to do and – if you will excuse the photo pun – I’m not short of time, either.
Gardening is always my first port of call, partly because we grow so much of our own food and those plants need to be looked after but also because for me, time spent outdoors being busy in the fresh air and totally engrossed in nature is so precious and rewarding. We have had a very concentrated effort together over the last week, so all the major preparation and planting have been done and now it’s down to me to keep an eye on it all and potter away at general ‘caring’ activities – weeding, tying in, watering, bug patrol and the like. I love the way everything grows so quickly at this time of year, there’s such a feeling of burgeoning growth and excitement in the patch and something truly wonderful about the promise of all that good food to come.
Of course, it’s not just about food and I’m always happy to spend time with my nose in the flowers, too. I’ve been potting up geraniums for ripples of summer colour.
The roses and jasmine are building up to a spectacular show and their heady scent hits my senses and feeds my soul every time I step out of the door (which is always open at this time of year to invite those tantalising perfumes to waft inside).
I have no idea what variety this rose is but happily we have several of them, deep-scented and gorgeously resplendent, cartwheeling down the walls in their ruffled cancan petticoats.
Wandering around the garden, I find myself seduced by those unexpected moments, the kaleidoscope of plants and flowers doing their own thing. Here, a white rose mingling with Jacob’s ladder, pretty as a picture.
There, self-set mustard in a halo of acid yellow, thrumming with insects.
A single Welsh poppy, soft as a sigh.
The filigree pincushion of a flowering Welsh onion.
How can I not smile . . . and how can I drag myself indoors to attend to other things with so much beauty to savour? Well, of course at some point I just have to, in part because I need to eat! Making bread has become a way of life for us and I see no reason to abandon that just because I’m on my own so I’ve been happily beating back the dough this week. It is one of the great bonuses of our lifestyle that we have the time to bake and we are blessed with a wide choice of flours and plentiful supply of fresh yeast. Our usual loaf is made from a mix of white, wholemeal and spelt flour flavoured with seeds or walnuts (the traditional local bread) but we love to make ‘world’ breads, too and think nothing of throwing together some naan or tortilla, pitta or pumpernickel or whatever, depending on what we’re planning for dinner.
Bread making is such a wonderful activity; for me, it’s like making mayonnaise – something to be done with care, patience and love. One type of bread we’ve always had mixed results with is sourdough but that has all changed since our recent UK trip. Sam and Adrienne (who have the whole sourdough scene totally sussed) gave us a jar of starter to bring home and I can’t describe the enormous responsibility I felt towards it. After all , it’s a living organism that needs careful feeding and I was slightly terrified of killing it before we had even made the Spanish border. By an amazing coincidence, the book I was reading at the time told how the Pilgrim Fathers had carried a single crock of leaven on their famous journey across the Atlantic, keeping it alive all the way; suddenly, West Sussex to Asturias didn’t seem quite so bad!
Our first try at a couple of sourdough loaves was fascinating; the speed with which they rose in the oven was totally insane! We have a long way to go to perfect the technique – particularly getting the scoring right – but so far the bread has a lovely texture and is completely delicious. Here’s to many more happy sourdough bread moments!
Like making bread, planning and preparing our evening meal together is a huge part of our lifestyle. Always based on what’s good in the garden, we love to indulge in old favourites and try out new recipes alike. One of our preferred dining styles is a tapas / meze type of meal with lots of different small dishes combined to make a perfect whole. It’s such a great way to eat and suits homegrown veg so well as a little bit of something special – a few asparagus spears, a globe artichoke, a handful of baby broad beans – can be made to go a long way.
Cooking for one, though, can be a bit awkward. It’s very tempting to live on scrambled eggs (during last year’s time alone, thanks to the warm generosity of our neighbours I ended up with four dozen eggs!) or soup which is fine but not very exciting, so for me at this time of year the answer is salads. I LOVE salads, I think they are such a wonderful way of celebrating the season and there is nothing better than a freshly foraged mix of leaves, herbs and flowers packing a healthy punch of crisp colours and zingy flavours.
It’s certainly nothing new. I keep coming back to this passage, originally written in Italian in 1614:
Of all the salads we eat in the spring, the mixed salad is the best and most wonderful of all. Take young leaves of mint, those of garden cress, basil, lemon balm, the tips of salad burnet, tarragon, the flowers and tenderest leaves of borage, the flowers of swine cress, the young shoots of fennel, leaves of rocket, of sorrel, rosemary flowers, some sweet violets, and the tenderest leaves or the hearts of lettuce. When these precious herbs have been picked clean and washed in several waters, and dried a little with a clean linen cloth, they are dressed as usual, with oil, salt and vinegar. An offering to Lucy, Countess of Bedford, by Giacomo Castelvetro.
How on earth in latter times did limp lettuce, slimy cucumber and tasteless tomato become an ‘acceptable’ salad? Whoever thought that was a good idea? What a truly wonderful thing it is to wander about picking edible bits and pieces to combine in a dish of gorgeousness: here I chose Little Gem lettuce (we have a pile that needs eating out of the tunnel before the melons take over), baby chard leaves, mint, chives, marjoram, chervil, lemon balm, baby peas and pea shoots with borage, coriander, calendula and chive flowers. Of course, I made way too much so there was plenty left for lunch the next day. 🙂
When I was raising a family or going out to work, cleaning the home was always something of a chore, a necessary activity to keep our household ticking along but not something I ever particularly enjoyed. Now I have to admit to feeling a sort of contentment at spending time cleaning. In part, I think this is because I can now do it at my leisure, rather than cramming it into tired evenings or precious weekends. As we’ve spent two years slowly but surely turning a grotty hovel into a bright, warm, comfortable home, caring for it brings a sense of achievement and celebration. Also, our living space is fairly small (four rooms and an entrance porch) so it’s hardly an onerous task! I favour a ‘green clean’ policy: like organic gardening, I think it’s better for us and the environment we live in and natural cleaning products are so much more pleasant to use than all those heavy duty, chemical-laden gloops and squirty stuff. My basic cleaning kit comprises white vinegar, olive oil, lemon juice, bicarbonate of soda and lemon essential oil – simply add elbow grease.
The vinegar is brilliant for cleaning windows and mirrors. Mixed with lemon juice and bicarb, it makes a great all-purpose paste for cleaning the kitchen and bathroom. A small amount of olive oil with a squeeze of lemon juice and few drops of essential oil makes the best wood polish I’ve ever used. Any bits left over are mixed with a squirt of eco-friendly mild washing-up liquid and hot water to wash the floors. Job done – a bright, sparkling home smelling of freshly-squeezed lemons and garden flowers.
What has been especially lovely about cleaning this week is there has been the guestroom to prepare, too; Roger’s mum is flying back with him for her first trip to Asturias so it has been a real delight to make everything ready and comfortable for her. We’re hoping it will be the first of many such visits!
The evenings are the time of day that seem to stretch out when I’m alone so there’s been nothing for it but to resort to my unquenchable wool habit. What a pleasure to sit in the evening sunshine serenaded by the raucous birds and crickets, then move indoors at sunset and curl up with a mug of tea, some background tunes and a basket of yarn. I’ve been having a bit of a birthday sock knitting bash of late; it’s an activity that I truly enjoy but I now really need to turn my attention back to the September Bouquet blanket if I have any chance of finishing it by early July. I’ve been doing bits in odd moments here and there and the squares are starting to mount up but probably not fast enough. Thankfully, the sunburst flower pattern is a lovely, easy make with that ‘sunflower’ snuggled in the centre of every square.
My starting point for the blanket is 90 squares, five in each of the eighteen colours I’ve chosen; from there it will be a case of working out the finished size I’m looking for, accepting that I might have to work some extra squares. Then of course there’s the joining and border which will both take time. I’ve resisted the temptation so far to start messing about with possible layouts but my eye is constantly drawn to those piles of squares nestled in my basket and I can see how the whole colourwash idea might just work.
Time to make haste and get those squares finished. Mmm, yes but . . .
I’ve banned myself from starting any new knitting until the blanket is finished and in all honesty, it would be good if I could just focus completely on this project. Good . . . but totally out of character because as always there’s an itch I’ve been wanting to scratch for some time and this week I had a little nudge in the right direction (or wrong direction, depending on your perspective). Now that we have lovely clean, dry storage upstairs I’ve finally moved my sewing machine-and-other-stitching-paraphernalia box down out of the horreo. Having a little sort through my treasures, I found a wooden quilting hoop that I bought for a few pennies in a closing down sale many years ago; I subsequently discovered it was much easier to quilt on the sewing machine so the hoop had become completely redundant until I had a little lightbulb moment. I have been toying with the idea of making a mandala for several months; it seems to be one of those essential crochet rites of passage but as I’m really not a ‘make woolly mats to stand things on’ sort of person, it’s been hard to find an excuse. Until now, that is . . . because I think the children’s sleeping den we have created upstairs needs something bright and colourful to jazz it up before Annie’s visit and what better than a giant rainbow dreamcatcher worked inside the quilting hoop?
I’m using the starflower mandala pattern from Zooty Owl and my goodness, what an amazing project it is! My plan is to work the rounds in the order of rainbow colours and keep going until the circle is large enough to stretch on to the hoop in a colourful web. This is so different to working blanket squares and every round seems to bring a magical change; I need to concentrate very hard, not least because I’m mentally converting from US to UK terms as I go along, but I’m having a lot of fun in the process.
Actually, since starting on my crochet adventure last year, I have had as much enjoyment from the things I’ve made to use up scraps as I have from the major works and there’s a lot to be said for that – except perhaps for the fact that they distract me so much from the matter in hand. Ah, but how can I possibly resist such dazzling temptation?
The ebb and flow of the days bring other activities, too: sharing emails and Skype chats with loved ones; pushing on with my Spanish study; taking photos and drafting blog posts; walking through the woods; chatting with neighbours. Time ticks away and very soon I shall need to turn my thoughts to airport taxi duty and a special homecoming meal. How lovely it will be to have company, conversation and shared laughter once more. Until May comes round again, perhaps? 🙂
I am currently reading The Morville Hours by Katherine Swift for the fifth (or is it the sixth?) time. It’s an exquisitely crafted book about her twenty years spent developing a National Trust garden in east Shropshire. The eloquent prose is woven with golden threads of horticulture, geography, geology, history, country lore, biography and acute, beautifully-described observations that make the book a rich tapestry of a read. It never fails to fascinate, move and inspire me. In a memorable passage, Katherine describes how long-term illness kept her out of the garden for many months; on her return, she was completely horrified to find that nature had taken over and gone completely off-plan. However, she soon realised in delight that all the bolting and seeding, rambling and scrambling, shifting and drifting had in fact created a garden of infinite magic and wonder, the plants setting up stunning partnerships of colour and form that could never have been contrived or designed.
I love this passage because this is how I garden all the time! It’s a personal thing but I have never felt the need for too much discipline and control in the garden; I’ve always been a curvy lines, wonky wigwams, daisies-in-the-lawn sort of gardener and I think there are three main reasons for that. The first is that a huge number of my favourite plants are very prone to flaunting themselves and self-seeding or running out of control: foxgloves, granny bonnets, lady’s mantle, calendula, borage, angelica, fennel, feverfew, lemon balm, forget-me-nots, mint, nasturtiums, verbena bonariensis, Welsh poppy, Californian poppy, shirley poppy . . . try keeping that bunch under control as they march their riotous pageant of colour and scent across the garden. How many times have we discovered new ‘borders’ in unexpected corners, as if planted by some unseen mischievous hand?
Second, this laissez-faire approach appeals to my idle side: I love to be busy in the garden and actually relish the really hard graft, but if things want to take care of themselves and do their own thing, who am I to argue? Nature fills a vacuum so let it get busy and if the result is a semi-wilderness, so be it. Great for wildlife, great for us.
Finally, I’ve always thought that bulbs and tubers that plump up, doubling and trebling, roots and rhizomes that run amok and seeds that scatter and self-set, sneaking into whatever places and spaces they can find simply want to be there. They’re happy and they’ll likely thrive, so let them be.
All this has been running through my mind this week as I’ve been trundling back and forth with my barrow, moving the compost heap slowly (very slowly – that hill is so steep!) to a new location. The Lazy Gardener Syndrome is alive and well here, it seems. Take for instance this sumptuous beauty with silken petals that shift from maroon to deepest plum to blackberry like light catching the swish of a taffeta ballgown.
When I planted the bulbs in November, I chose to put them in glazed pots of Moroccan and malachite blue, thinking the combination would be pleasing to the eye. It is – but nothing like the stunning backdrop of acid yellow that appeared of its own accord. The fizz and bang of those colours together is like champagne bubbles up my nose, bitter sherbert on my tongue. The yellow is a humble mizuna, self-set in a concrete crack. I left it for the insects. I’m so glad I did.
Calendula (or pot marigold) is one of my all-time favourite plants. I love its cheerful disposition, it’s unpretentious down-to-earth attitude, it’s sharp herbal scent and tiny fingernail seeds. No need to plant, it was already here in little flashes of sunny light amidst the jungle of neglect. True to its name, it flowers all through the year but in April it is at its best, showing off in a hedonistic burst of sun-worshipping brilliance, carpeting the vegetable garden in huge swathes and exploding in pops and bangs in quiet corners. Last year, I planted a clematis montana ‘Elizabeth’ to grow up the stock fencing around the vegetable patch. Poor thing, I have dragged it round several gardens in several countries but here at last it is settled. Roots down, head up, it seems to have found its spiritual home. It is about to flower for the first time in three years, the plump bauble buds on the cusp of bursting into a profusion of pink. Lovely . . . but how much more striking will it be with the self-sown calendula snuggled underneath?
What hearty little troopers these marigolds are. Here in a clump beneath the glaucous thistle leaves of a globe artichoke, a heap of gold beneath an arching dragon’s wing; here in a shady forgotten spot beneath a Japanese quince, mingling with red deadnettle and sweet violets, a posy of weeds: I could not have planted a prettier patch if I’d tried. They can’t have it all their own way, though. I have lifted a few stray wanderers to plant in blue pots and make a splash of colour on the steps; they’re under control for now but I suspect those seeds will travel when the time is right.
I have started to plant small flower borders where I can, a few favourite perennials mixed with bulbs and annuals. Even here, any sense of design or control has already gone with the wind. I grew lavender from seed, raised peach carnations from cuttings . . . but the forget-me-nots currently stitching them together are nature’s idea. Why didn’t I think of that?
Even pottering about the polytunnel, pricking out and planting on, I am not safe. Beneath the staging, between the lettuces and in every available nook and cranny there are nasturtium seedlings lifting their shields against the metallic blue prongs of Californian poppies. Can you imagine what a riot this will be if I let it continue? I need to make an effort, exert a bit of control here . . . but not today.
Borage needs no encouragement. It drifts up and down the garden in fuzzy waves of cerulean stars, flowering all year round which makes me happy – and the local honey bee population even happier. Just look at it nestled with the bright flowers of komatsuna. Both self-set; honestly, you’d think they’d planned it.
The flowers are thrumming with bees, their frantic activity shaking and bending the slender stems. Here they fill their pollen baskets: dandelion yellow from the komatsuna, grubby white from the borage. I stand and watch transfixed at the whole precise busyness of it, the bees exploring the tiny throats of the yellow blooms, the whiskery black centres of the blue. I love this affirmation of life, of connection, of dependence; like that colour combination, it’s a beautiful thing.
Emptying the final barrowload of compost and forking through the new heap, my eyes drift to the broccoli. The plants are spent, the harvest over; time to clear the terrace for sweetcorn . . . and yet, all on their own they are creating a splash of colour as beautiful as anything else in the garden. More bees here, too; the corn can wait awhile. Let’s enjoy that soft buttery yellow against the dusty purple. Opposites on the colour wheel: a marriage made in heaven.
On the subject of marriage, I have started to make petal confetti this week. I made some several years ago for Sarah and Gwyn’s wedding when advice and guidance seemed thin on the ground; it was rose petals all the way, a bit of a problem when I had no blooms in the garden. I did have cornflowers, though; a whole prairie of them which had encroached on the vegetable patch (of course). I followed the instructions to the letter, selecting, picking, tying, hanging, drying, crumbling. It worked. It was very pretty but on the day, gone in an instant. I fancy something more substantial this time.
Luckily, things have moved on, ideas changed and developed. How happy to find thay anything goes. Daisies? No problem. Calendula? Mmm, might have a few of those. Music to my ears. What a pleasure, picking from the great abundance around me; what a joy to simply leave them spread out to dry. By July, I shall have such a heady mix to scatter over Sam and Adrienne on their special day!
Sarah has always had an artistic and creative talent, an eye for colour and a love of country flowers. It was no surprise, them, when on the day of her wedding with Gwyn she chose to pick her own bouquet. Literally. She bought a bunch of sunflowers from her local Co-op but everything else was foraged from her garden – flower beds, vegetable patch, hedgerows, hidden corners and wild places. The result was stunning, a beautiful creation that captivated me all day (there was even a little robin’s pincushion hidden in there!). When I started to plan the design for a blanket – a gift for their fifth anniversary in September – this was my natural starting point.
How I agonised over my plan, though! I spent days messing about with different motifs and colour combinations, those sunflowers dominating every idea I had . . . until I realised that was the problem. Go back, look again. Yes, the sunflowers were totally striking but for me it was the supporting act that truly made the bouquet: the foliage in so many shades and shapes, the froth of meadowsweet and curve of honeysuckle, those deep, rich purples and delicate silvers. That is where the beauty lies, a beauty I could never capture in a few shades of yellow, a couple of greens. I chose eighteen different colours.
What a happy moment, to make a start outside in the sunshine this week. I am working squares in blocks of solid colour, each with a sunburst flower motif ( a ‘sunflower’) in the centre. My plan then is to join them in a gentle colourwash, moving through the blanket as if up the bouquet: greens of foliage, yellows and purples of flowers, blues for that clear September sky and a sense of balance in the overall scheme of things. The finished design hovers at the periphery of my imagination, I really don’t know how it will turn out. No problem. I have learnt that blankets, like gardens, are best left to their own devices at times. Pick a pattern. Choose the colours. Now let them decide how they want to be.
I have to confess in my last blanket project, I had to exercise a little more discipline. Well, just like the garden, sometimes it’s necessary, I suppose. I wanted to create a rainbow and really there’s no arguing with the colour order of that one, is there? Science had me pinned down for sure! This was another gift blanket, for a new baby expected in August. Traditionally, we dress and wrap babies in white or the very palest of pastels. With my head brimming from the rich research and curiosity in The Morville Hours, I suddenly needed to know why. Is it historic? Religious? Cultural symbolism? Superstition? Oh sit down, my overeager imagination – the answer, I found, is far more prosaic! Babies need a lot of linen and white textiles have always been easier to bleach and launder in hot water. It’s a practical thing, nothing more. I happen to love bright colours around babies, hence my choice to make a rainbow. It might not be practical but I hope the message is as loud as that ridiculous shade of orange: a new little life – how wonderful, how exciting, how precious. What a tremendous thing to celebrate. Let me shout it out in loud and vibrant colours! 🙂
Communicate: share or exchange information, news, or ideas.
Commune: share one’s intimate thoughts or feelings with (someone), especially on a spiritual level.
One of the blessings of our lifestyle here is having proper time to communicate with others; I love to keep in touch with a wide circle of family and friends, to catch up with what they are doing, to share their stories and thoughts as well as exchange little snippets and tales of what we are up to ourselves. In a rush, it’s so easy just to touch on the superficial, but with time and effort it’s possible to go beyond the facts – the who or what or when – and engage at a deeper level of interest, of sharing, celebrating or commiserating. What a wonderful gift to give someone, our full, unhindered, focused attention, listening with a quiet mind and open heart. It’s a precious thing indeed.
I suppose it is about moving from ‘communication’ to ‘communing’ and the same is true of time spent in nature. To explore the world like a young child is not childish but childlike; there is a world of difference. As adults in the hustle and bustle of modern society, our auditory and visual senses are bombarded and overloaded, day in, day out; how often do we allow ourselves to indulge all our senses playfully, without bias or preconception, opening our hearts and minds to new experiences and possibilities? How would a child respond to the jewelled flutter of a butterfly, the delicate fragility of a robin’s egg, the scratchy wingbeat of a crow, the secrets hidden in a tulip’s cavern, the arcing iridescence of a rainbow? When we give ourselves permission to stop and listen and feel and smell and taste as if everything were a brand new shiny experience, then even the simplest or most mundane thing can seem like a minor miracle.
So, when spring came bounding up the steps and hammered breathlessly on the door this week – ‘Come out and play! See what I’ve found!’ – I didn’t need asking twice. Senses engaged, I let myself be led by the hand. Budburst started here some time ago; the warm-up act of hazel, willow and birch is already in full verdant splendour, fluffing and puffing up the woodlands with streaks of brilliance like the joyful sweep of a child’s paintbrush. Lime. Chartreuse. Pea.
Now the nuttery adds its voice: oak and chestnut and walnut leaves unfurling like uncurling fingers, arms akimbo, in a seam of coppery gold that echoes the iron-rich rocks below.
In between, pooled like silver moonlight, a confection of graceful cherries whisper and shiver in delicate white. I am reminded of Housman’s celebrated lines: loveliest of trees, the cherry now is hung with bloom along the bough. Shropshire poetry, Shropshire roots, a Shropshire lass. Some things run very deep.
It’s not all about trees, of course. Beneath the emerging canopy is a burgeoning, bustling, stretching busyness led by fern and foxglove, followed by a jostling crowd of others, some brash and extravagant, others quiet and diminutive.
What a feast for the eye, all this shape and shade and shimmer, but try seeing it differently for a change . . . Is it a shepherd’s crook? A seahorse? A question mark?
In this world of waking and stretching, of rising sap and soft, silky leaf-lets, of the rich mineral smell of moss and bark and boulder, I need no more than the green. The lush, fresh, newness of it all is enough to feed my soul. So many shades and tints, how could I name them all? More poetry springs to mind, this time from W.H Davies: I also love a quiet place that’s green, away from all mankind.
Ah, but I don’t get away with that one easily: just look at this frolicsome floral dance! Such a brazen parade of flirtatious fluttering and wiggling of petal and pollen, of saucy colour and come hither looks. Who could fail to fall under their seductive charms?
There is so much that I can’t capture in photographs, so many moments where an image is not enough and words seem hopelessly inadequate: the melodious cadence of blackbird; the harmonious warbling of robin and blackcap; the shouting echo of songthrush; the twitter and curse of tit and wren; the chiffchaff and cuckoo calling their own names. How do I share the velvety buzz of the busy bumbles, the sulphuric flash of yellow butterflies, the dash and zip of sun-warmed lizards, the furry flit and whirr of a dusky bat? The shifting shapes of feathery clouds, the play of sunlight across the valley, the electric crackle of a retreating storm, the deep, ancient, fecund smell of the earth after rain?
No matter: it’s about being in the moment, feeling, experiencing, living. Memories and records can wait. Stories can be shaped and shared later. This is communication at its very best. Thank you, spring – what a lovely chat we’ve had! What a wonderful time we’ve shared!
I am happy to admit that I am a terrible artist. As a child, I was in awe of those television programmes where Tony Hart, armed with tins of paint and fat emulsion brushes, created a masterpiece on the wall in a few deft strokes. I desperately wanted to be that talented but after three years of high school reports which predictably stated, ‘She usually tries’ it came as a relief to myself and the art department staff when I could finally, blessedly drop the subject for good. That said, I love painting: even wide expanses of fresh plasterboard needing coat after coat of emulsion don’t faze me (good job since we’ve had plenty here over the last few months) but I am never so happy as when I can indulge my passion for colour and a little creativity. This week, then, has been a time of great painty pleasure.
My first project was to make a name sign which eventually can be fixed to the house wall (ah yes, there’s another big painting job in the pipeline), using a lovely slab of slate that Roger had rescued from a tumbledown wall in our field. I wanted to make something that would reflect the feel of our home and our love of the outdoors; something simple, bright, colourful and fun where the name was legible but not dominating. The whole point of sharing this is that it shows you don’t need one jot of artistic skill in order to be artistic; purists may think my approach is cheating, but I prefer to see it as innovative! So, armed with a fortifying mug of tea, I went forth to create.
My calligraphy skills being no better than my art ones, I did the obvious thing: found a font in our word-processing program, blew up the size then traced it carefully from the screen. Having no intention of painting anything freehand, I then got busy with an ancient stencil; a lot of messing with a simple box of children’s acrylic colours and far too much fun later, a sign emerged. A couple of coats of exterior varnish and it was all ready for business. Something from nothing once again!
We reached a great milestone this week in finally being able to move into the room upstairs. One of the knock-on effects is that all the spare bedroom furniture could be moved out of the kitchen/living area and everything rearranged a little. I decided it was time to brighten up some bits of old furniture, starting with a very basic pine shelf unit and a nesting table for what is now officially the guest bedroom. I set up a painting studio outside and, since I was using a universal primer, I threw in an old metal milk churn for good measure.
While that all dried, I set about revamping another nesting table indoors. We have a large black halogen lamp which is brilliant to knit, crochet, sew and read under at night but it is such an ugly thing; I can’t do anything to pretty it up but I thought I could at least create a colourful table for it to sit on. My other motive for this little project was to try out chalk paints before committing to use them on our old linen chest of drawers which has been desperate for a new paint job for several years (decades, actually). Chalk paints really are the ‘in’ thing and I have to admit I’m not a lover of fads; I have quite happily and successfully painted furniture for many years with leftover bits of gloss paint and yes – truly – even emulsion. However, I’ve been really impressed and inspired by some beautiful pieces of furniture Adrienne has created with chalk paints so I decided to give them a go. Before starting, I did a fair bit of online research, read plenty of advice and then chose to ignore most of it. I didn’t opt for the designer brand that everyone raves about but instead bought a Spanish variety which was a lot kinder on my pocket and offered a good palette of luscious colours to choose from. I didn’t buy a special brush for the paint, just used an old one; neither did I invest in a special wax brush or even special wax as Roger informed me he had a tin of brushing wax in his Man Shed (honestly, that place is an emporium!).
So how did it go? Well, the paint was a dream to use (I love the fact you don’t have to prime) and went such a long way; so far, in fact, that I changed my plan for the bedroom table and decided to chalk paint that, too, rather than use the eggshell satin I had lined up for it. The colour is absolutely gorgeous; it’s called ‘Mediterranean Blue’ and is a deep, dreamy cobalt, just beautiful.
When it came to the waxing bit, I knew I could well be using completely the wrong stuff and I did have a minor panic when the (yellow) wax immediately took the colour down a few shades. I was also slightly concerned about how many articles I’d read about this part being very hard work. Well, it’s all relative, I suppose: to me, shifting several tonnes of gravel by hand is hard work. So is giving birth. Brushing a few coats of wax on and buffing it off again just seemed like a very pleasant wet afternoon’s activity, especially as the yellow effect disappeared with the wax and a lovely, lustrous shine surfaced. Job done.
So now that I know what I’m doing, I’m all set to tackle the linen chest with some more of that lovely blue paint coupled with ivory. By the way, I won’t be distressing any of these chalk painted bits and pieces. I know we all have different opinions – which is to be celebrated – but as a country mouse born and bred, I have never understood the fashion for filling rural homes with so-called shabby chic. In fact, it’s very much because the linen chest has been steadily distressing itself over many years that I feel the need to paint it again. Recognise that old stencil, by the way? Definitely time for a new look!
I gave the shelf unit a couple of coats of eggshell ‘Eau de Nil’ to match our interior doors and it looks right at home tucked into the guest bedroom.
Anyway, back to that milk churn. When we moved here, we found we had been left a house and several outbuildings full of furniture and miscellaneous items; most of it was broken down rubbish which the friendly chaps from the town hall kindly came and took away – it took them two trips in a very large van. Boy, did we have rubbish! The two milk churns, however, were something I wanted to hang on to as I had a cunning plan for them. I love the fact that they represent a little bit of the property’s history and I wanted them outside where they could be seen and enjoyed as big planters. Well, of course – if in doubt, add flowers! I could have left them as they were but something inside was whispering bright colours so I opted for ‘Summer Sky’ which seems somehow appropriate (or at least, it will be once the current run of crazy storms here has worn itself out). I think this will be the perfect eye-catching foil for flowers of any colour; just look at how scrumptious those beautiful deep magenta tulips look against that bright, bright blue.
However, a nod to the colour wheel says orange and nasturtiums were the first to come to mind. I love nasturtiums and particularly the way they flourish here in the wild, hurling themselves down banks and verges in a brazen tumble of flaming glory in May and again in September. Last year they self-set amongst the sweet corn and climbing beans and as that patch is now under a poytunnel, little seedlings are popping up like mushrooms in the warmth.
I’ve lifted three of them and transplanted them into a pot just the right size for nestling into the top of the churn in the hope of a bright and sunny waterfall against the blue; once they have finished it will be easy enough to replace them, maybe with a riot of geraniums. Whatever happens, the milk churn should bring a splash of summer colour and a smile or two to our less-than-pretty courtyard. Now for the second one. Blue again? Mmm, still thinking about that one.
My final paint project and if nothing else, this one proves at least that I haven’t been on a complete bluefest all week! Here is another piece of ‘inherited’ furniture and let me say straight away that it’s dire. It’s wonky: last year I used it as a painting step and wobbled off it more times than I can remember. At some point in its history the seat has completely split in two and has been ‘mended’ supremely badly with a bizarre arrangement of staples. It is riddled with woodworm. In short, it’s a piece of junk which would best serve as morning sticks . . . so why have I rescued it from that fate and painted it?
Well, the answer lies at the end of our woodland track, a ten minute walk from the house and one of my absolutely favourite places. We have a long term plan to make a two- person seat here; in fact, we even have the base from an old single futon put aside just for that purpose. The problem is, it’s a long way down the priority list and in the meantime, I really wanted somewhere I could perch and while away a little time, so the wonky stool seemed just perfect. I’ve used the paint we have for a garden seat in the orchard; it’s called ‘Olive’ and definitely veers towards the grey side of green which is fine as I didn’t want it to stick out like a sore thumb. A couple of coats and off I went up the lane with my stool tucked under my arm.
One of the things I love about the woodland spot is that it’s like entering another world; turning into a different valley, the gentle murmurings of village life disappear and all that is left is the sound of a mountain stream tumbling to join the river, a cacophony of birdsong and the soft susurration of the wind through the trees. When the sun shines, the glade is flooded with soft light but I enjoy it in the rain, too, Why not? Armed with my trusty brolly, it’s the Asturian way. This is my ‘sitting place’, somewhere I can think and ponder, daydream and plan, mull and meditate; it’s a place that makes me open my eyes and mind to the small wonders around me; it’s a place that feeds my soul and makes my heart sing. It’s my little haven of mindfulness.
It’s a place where I can just BE . . . but now I can do that in (wobbly) comfort. How wonderful is that? 🙂